Journal of the History of Biology
Description: The Journal of the History of Biology is devoted to the history of the biological sciences, with additional interest and concern in philosophical and social issues confronting biology. While all historical epochs are welcome, particular attention has been paid in recent years to developments during the nineteenth and twentieth centuries. The journal serves both the working biologist who needs a full understanding to the historical and philosophical bases of the field and the historian of biology interested in following developments in the biological sciences.
Coverage: 1968-2014 (Vol. 1, No. 1 - Vol. 47, No. 4)
The "moving wall" represents the time period between the last issue available in JSTOR and the most recently published issue of a journal. Moving walls are generally represented in years. In rare instances, a publisher has elected to have a "zero" moving wall, so their current issues are available in JSTOR shortly after publication.
Note: In calculating the moving wall, the current year is not counted.
For example, if the current year is 2008 and a journal has a 5 year moving wall, articles from the year 2002 are available.
- Terms Related to the Moving Wall
- Fixed walls: Journals with no new volumes being added to the archive.
- Absorbed: Journals that are combined with another title.
- Complete: Journals that are no longer published or that have been combined with another title.
Subjects: History of Science & Technology, History, Philosophy, Humanities
Collections: Arts & Sciences V Collection
Aldo Leopold, thought of as the father of wildlife conservation, is best known as the author of the 1949 book A Sand County Almanac. Leopold articulates an unprecedented idea called “land ethic” which upholds the right of the soils, waters, animals, and plants to a life in a natural state. While it does not prevent the misuse of these resources, it does assert that the ecosystem only works as a whole, and all components of it are equally important. Leopold uses both illustrative descriptions of nature and the interactions within it, and anecdotes from his own life to argue for conservation and social consciousness towards the natural world. He strings his story through the forests and the rivers, using the drama of nature to illicit concern for the environment. Leopold writes for the average citizen, because he realizes that only collective change will be successful. Leopold suggests that because conservation is a harmony between man and nature, the human race will self-destruct if nothing is done to preserve the whole community.